Happy Middle of the Week!

Last Great Act of Defiance 
©2016 Copyright, Joseph A. Wraith
 
 
  Sometimes it's all about the attitude, or emotion, art for me carries my emotions even if it's just work-art. It still is created with emotion and feeling.   Sometimes it is a given emotion from a client who wants to relay it into the design, be it happiness, anger, sadness, or just plain blah.  
  These emotions may not be my own, but that of the client only, something they want the artwork to speak of.   I still have to feel it, like an Empath feels the world of emotions around them, I too have to feel the emotional value of the art I am creating in order to pay it forward, or it will end up flat and meaningless.   Emotions are dynamic and art can be the bullhorn if the feelings don't speak loud enough. 
   As an artist and animator I am usually tasked to deliver the key ingredients of a design, which in my notebook represents Emotion, Attitude, Movement, Color-story, History, Space and Time.   For me attitude is a reflection of emotion, usually a reaction to an inside feeling brought on by an outside force.   This attitude affects the design, or animation.   If it's a character animation, or design, it can influence the walk-cycle, the stance, facial expressions and even the color-story.   Sometimes space and time also alters the attitude and emotion, if it's a place that is really hot during the summer then it can have a adverse affect on emotions, as does some place cold during the winter.   You can really mix things up though and have a warm place in the winter which gives off a whole other emotional affect.   Like a beautiful beach scene during a cold winter somewhere else.   History tells why the emotion exists, basically the back-story, why an attitude is formulated from the emotion and why it creates such a reaction.
  As an artist I have to be a student of emotional struggle, crisis and relief, the very drama and comedy of it has to permeate my work in order for it to be successful.  You have to be a controlled Empath, only allowing what you see, or feel, to have it impact your work, and NOT your life.  That can be a struggle on it's own, as an artist I feel and over-think and I do it in 4 dimensions.  I have to grab it, hold it and spin it around, I have to see all sides.  I have to go there, see it, be in it and run around it and get all views in my mind.   My imagination has to be boundless and unleashed for this to happen. It's not really a choice, it's just how I am. I call it Creative 4D Meditation. That's where I take the client's ideas and build the world the idea lives in, to see how it lives and what it's attitude is.   I also have a bit of a 3d gaming (playing and creating) background so this also helps me build the world as a whole and see it as though I were living there and what goes on in it.  I could probably goon for hours on this subject, but...


I think I need an aspirin.
JW

Comments

Post a Comment

Popular posts from this blog

What's going on Underneath...

Image
  Telior - Monsterlings Budling King At Home with Telior. ©2017 Copyright, Joseph A. Wraith Underneath Studios   So I'm locked up in work mode and haven't had a lot of time for my own creativity.  Which is kind of a bummer because I have so much I want to do and need to do for the Monsterling series, as well as the Grossters, I would also add the Outside Earth Series, but I had a bit of a unfortunate event happen to all my files on the Outside Earth series and I may have to rebuild it all from scratch. Not cool. So I'll put that one on a shelf for now with an idea of upgrading the series to something better and possibly pick it back up in another life.   Anyway, onward and upward... My next animation test for Monsterlings will be the Run and Jump scene of Telior running and jumping on to his Bee friend from his treehouse's steps.   This part will be difficult for me because I'm not at all sure how I'm going to do it yet.  I mean,...
Read more

Welcome to my Wraith Blaahhhg, haha!

Image
   O K, this is where I spew my art works and words of wisdom upon you, better get an umbrella, raincoat, and a couple rolls of visqueen, maybe a pair of galoshes while you are at it, and don't track that smelly stuff into the house! I'll also be giving you my art pointers and pipeline that I personally do when completing a project. First off, I never went to art school for my art, I'm basically self-taught in everything I do.  So if it doesn't jibe with the corporately-taught way of doing things, oh well...  there are a few ways to skin the cat should we say and this is my way. I may also rant on how artists are treated professionally on occasion, especially when that artist is me, or friends of mine. Living in beautiful Pompano Beach, Florida I am close to the main hubs of the Southeastern Art World and there comes a stinketh from below. We will get to that later. On an up-note, I just joined Directory of Illustration and I have them to thank for starting...
Read more

Testing... 123... Testing...

Image
Stardust Glows (TM) 2016 Copyright, Joseph A. Wraith     I think I spend most of my day on contract work testing animations prior to going to final renders.  It can be a real pain when you are trying to get a job out on a designated deadline and yet you still need approvals on motion prior to going forward with the final output.   Plus, you have to make sure that the renders look great not only in the motion, but also lighting, textures and what not.   Most of the time you end up with surprises if you don't test which can later lead to reanimation and re-renders.   No fun.   Rendering alone can take up to 2-4+ minutes a frame sometimes. Yes, you can do small renders without textures, lights and so on, but there are still possible issues that may occur that you didn't see doing them that way.   I do on occasion render like that, but I prefer the full on approach, I don't want any surprises at all....
Read more